Bud smiled, it was more of a grimace. His eyes were
hard set, two dark flints. He raised his arms and pressed
both palms of his hands against his temples, brought his hands down over
the sides of his broad, square face. He wished his great, square
head was a fat sponge that he could wring free of a building
reservoir of poisonous thoughts, or he needed an ice bath, or some kind of
sexual release that would not end with feelings of inadequacy.
The telephone rang.
Bud bit his top lip, then reached for the receiver
- the flex was tangled and he had to put his great, square head
very close to the machine and squat on his haunches over the side-table.
'Yuh?', he answered, with effort.
'Bud?', said a woman's voice - it was Martha.
Bud winced, felt a needling pain in his right
knee, taking the full weight of him.
'Yuh, Martha?', he said, left cheek bone about level
with the sharp wooden edge of the side-table.
There was a brief pause, her end.
Then she said: 'Tomorrow ... Are we still on?'.
Bud repositioned himself so that he was kneeling awkwardly,
the flex still tangled, now with his large, square chin just above
the sharp wooden edge of the side-table. 'Gah, uh, yuh', he
spluttered, 'I ... Are you?'
'What?', Martha said.
Bud felt sweat break on his back, felt an urge to scratch
it, as well as on his flat, rectangular nose.
Martha was insistent, he just didn't know – they had fun, they didn't
have fun, that was how their dates went. Two divorcees with moods
determined by the presence or otherwise of the past.
'Where - are – we going?', asked Bud, the veins in
his thick-set neck beginning to throb. Blood, rushing to his big,
square head. Hot, red head.
'What?', Martha said again, then unable to conceal
the hurt in her voice, 'you arranged it'. Trailed off.
What did I arrange?
Thought Bud, straining. He was trying to reach around
his great shoulder blades to scratch his
back, telephone receiver jammed between his big, square
chin and the sharp edge of the side-table.
Martha sniffed audibly, 'you said we were going to the art
show', her voice pained, 'the one on European Renaissance painting'.
Bud winced again, couldn't scratch the itch on his
back. Sweat had started issuing from his brow, sliding slowly
down his flat, rectangular nose. The lengths I go to please
people, Bud thought angrily, largely at himself, why? Why?!
‘Why?’,
said Martha suddenly.
And
Bud realised he had spoken aloud.
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